Peaceville (2009)

Katatonia are one of the rare bands that I have followed from their (classic) demo days until present, one of those rare bands that have managed to keep face, integrity, inspiration and all those other important pointers that should indicate how this band truly seem to be in it for the right reasons. Funny that, as far as I am concerned, their biggest misstep was “Viva Emptiness” yet so many folk I know consider that to be the moment when they seemed to find footing solid and come of age. A Katatonia misstep is a blessing from below for most other bands it must be mentioned.From Blackheim to Anders. From Lord Seth to Jonas. From “Dance Of December Souls” to “Night Is The New Day”. Of these transitions it is the latter that is most remarkable, though the first two were the catalysts.

Some would consider that their status now is shameful. Shameful in that they are an unknown quantity to many who would surely embrace the band were they to have the correct opportunity to experience it. True, maybe. Consider also that they have made a consistent rise from album to album as far as their fanbase is concerned. Slow burners, longevity. Important considerations,

So, what's new here? Well, is it essentially Kataotnia being Katatonia? It is and it isn't actually. The trademarks are there. Those who loved “Teargas” or “My Twin” will definitely find enough in here to hold to. If you are one who has followed these guys from, let's say, “Tonight's Decision” you would be forgiven for thinking this a case of business as usual.
But...but..., be less hasty listeners, give this album some time and you begin to notice subtle moments and progressions that do amplify themselves somewhat once noticed. I think it is safe to say “Night Is The New Day” shows Katatonia delving a little deeper into the melancholy well to replenish and the results take the band into areas that touch more upon beauty that had previously been the case. “Nephilim” is a fine example of this... I may even forgive the band for using one of the holiest words known as the title.

However, it is album closer and my absolute top moment on the disc that demonstrates this best. “Departer” is a song that will be remembered long after the band and it's members are just old memories. It is so fucking good. Special mention for Jonas on vocals here. His voice fits this song so well, it really does. In fact, this is a man who has made step aplenty from before. His voice has always had a certain feeling of fragile and from that a certain charm that complimented the songs. Here he has managed to work every facet of his voice by, seemingly, finding vocal melodies that are nothing short of inspired in places. Fear not dance floor boogy folk, immediately before this track is “Day And Then The Shade” that is more than certain to get dandruff storms a'kickin at many Katatonia shows should they choose it for their set. It is also quite the song in itself showing an awesome combination of all elements to create another album highlight.

In short, Katatonia have not forgotten who they are or where they have come from nor have they baulked in the face of a progression I would call logical. In places, such as “Departer”, magical.

Killer band. Killer album.

Tuba (www.tubarec.com)
www.katatonia.com
www.peaceville.com

Composed by Paul Kearns